Day One (Apr. 10), UMN — Elmer L. Andersen Library 120
9-9:30: Introduction/Welcome/Thanks (Noam Sienna)
9:30-11: Panel 1: The Beginnings of Hebrew Print Culture
- Chair: Juliette Cherbuliez
- Elyakim Kassel and Moshe Rosenfeld: “Hebrew Printing Before Gutenberg? Waldvogel in Avignon”
- Heide Warncke: “From Quill to Otiyot Amsterdam: Aspects of Hebrew Book Culture in 17th-Century Amsterdam”
- Giovanna Truong: “The Typography of the 1609 Venice Haggadah”
11-12:30: Panel 2: Hebrew Type Between Analogue and Digital Design
- Chair: Leslie Morris
- Avinoam Stillman: “The Reprint as Gilgul: Historical and Personal Reflections”
- Tyler Kliem: “A New Yiddish Typography: Reconstructing the Albatros”
- Raphi Halff: “Yiddish Initials: Digital Beginnings”
12:30-1:30 LUNCH
1:30-3:00: Panel 3: Hebrew Type Design in the Twentieth Century
- Chair: Noam Sienna
- Nitzan Chelouche: “Bringing Type into the 20th Century: German-Jewish Designers and the Hebrew Typographic Renaissance”
- Noam Schechter: “Italics in Hebrew”
- Hillel Smith: “Utopia through Typography: Hugh Schoenfeld”
3:00-4:30: Panel 4: The Business of Jewish Printing
- Chair: Meyer Weinshel
- Motti Zalkin: “The Romm Printing House in Vilna”
- Yael Levi: “Yiddish Typesetters on Strike! (New York, 1880s-1890s): A Window into the Business of the Yiddish Press”
- Noam Sienna: “Jewish Job Printing in the Twin Cities, 1890-1950”
4:30-4:45: BREAK
4:45-5:45: Keynote Lecture
Introduction: Natan Paradise
Barbara Mann: “Materiality in the Archives: From Font to Book in Modern Jewish Culture”
5:45-6:45: Reception